Each of the following videos contains clues about two secrets. The various crimes and cover-ups against Chris Newman is the obvious secret. It’s the situation which has been written into movies, T.V., and music videos for decades, and which I’ve been writing about for the past year. (Boldface words have definitions in the title attribute – try running your pointer over them.)
There is a second secret which I believe to be an enforced silence and cover-up having to do with a sexual assault against Kurt Cobain. Like the situation with Chris Newman, I believe this secret is not actually so “secret.” It’s a widespread deliberate cover up. And as with the assaults against Chris Newman, I do not believe that Kurt Cobain wanted the assaults he suffered to be covered up. Why do I believe this? I believe this because he laced his entire catalog with flaming easter eggs. As did many other artists, including the following.
In all of these videos Chris’ (aka “sun”) blindness is indicated by missing, covered, rolled-back, or otherwise blanked-out eyes. The lack of truth is shown by missing and/or false teeth; and in Doll Parts, stasis is indicated by the empty fireplace (one needs fire to burn all the liars) and the muddy, dirty, “hanged” dolls.
1992 Babes in Toyland – “Won’t Tell”
False teeth and water imagery to suggest that truth has been compromised. A disembodied hand suggests a lack of power. There is old man/birth/blood and single-eye imagery. (I believe in this case, the old man is a Chris Newman/Mark Arm twin.) In one scene, the mouth is removed from Kat’s face, as she stands, and is baptized, holding a handful of (blood-sucking) leeches.
Her mouth is then shown speaking or singing from the palm of a hand. At the end of the video, the older man is wearing a pink feathered mask, spotted hide “tutu” and cowboy boots as the women come after him wearing vampire fangs, waggling tongues, and brandishing drumsticks, then knives. The very last image of the video is a stuffed squirrel crouched strangely over an animal-like piece of wood. It evokes the idea of a sexual assault, though perhaps vaugely.
1994 Hole’s “Doll Parts”
Doll Parts is a stunning song and video featuring a little boy representing Kurt Cobain crouched by a cold fireplace. Outdoor scenes show Courtney smashing a twisted Victorian tea party and its landscape of dirt-covered dolls hanging from sticks and trees.
The Doll Parts video was made shortly after Kurt’s suicide. A doll’s covered eye is shown at 0:38, and there is also an anal sex-like scene just one second long: 1:41-1:42, between the words “bad skin” and “doll heart.”
1995 Alice In Chains “Grind”
Grind also uses the hole imagery, the blinded eyes, and the missing teeth.
I believe the old man featured in this video is a “twin” character, but mostly a reference to Mark Arm, due to the man’s lack of teeth, affection for the stuffed goat, and his actions in the video. Clues to the assaults against Newman and Cobain are mostly found in the scene involving a stuffed animal menagerie, beginning around 2:53.
First the old man places his hand near the cymbal-playing ape (sun) from whom he receives a stigmata. The man then looks over to see the goat (devil) slowly backing away from the scene. Alice In Chains singer Layne Stayly then looks at a long-eared patchwork creature with a star on it. The creature is kicking out its back legs in anger or torment. I believe this creature represents Kurt Cobain.
At 3:06 the patchwork star creature is attacked and overpowered by a creepy looking hook-beaked creature wrapped in something knit (like a sweater) with pins and/or knitting needles stuck in, like some kind of voodoo doll creature. The knitting needle creature forcibly unzips a zipper on the patchwork star creature (3:08), removes something that looks like a piece of bloody gauze, and chews it up. The old man is then seen closing up the brown paper bag, walking up the stairway, and petting the three-legged dog that waits there. The chorus of the song is “In the darkest hole, you’d be well advised not to plan my funeral before the body dies.” It’s a clear reference to the sun who is buried and considered “dead.”
These artists all make a connection between what seems to have been an assault against Kurt Cobain and the burying of Chris Newman for a couple of reasons. The first reason, I believe, is because in both cases, the perpetrator was (and is) the same person. I believe it is Mark Arm.
The second reason for the connection has to do with predation and copying aspect of the crimes against Chris. All these artists were clearly aware that it was Chris who brought his 1970s heavy rock influenced sounds, and specifically the heavy fuzz Big Muff and the watery Small Clone, into northwest punk rock. All the musicians had to know that Mudhoney guitar players Mark Arm and Steve Turner co-opted the heavy fuzz & Fender twin sound, and either tricked or coerced Kurt Cobain into adapting the Small Clone and Big Muff into his music as well. (I believe this is why Kurt sang – and felt – “I’m a liar and a thief” in the 1993 song, Pennyroyal Tea.) Kurt used the Big Muff in the studio, but is rarely seen with one onstage. The Small Clone sound mixed with a more Wipers like distortion (DS-1) is however, very strongly associated with Kurt Cobain.
2013 Alice In Chains “Devil Put Dinosaurs Here.”
At least one other Alice In Chains video contains a symbolic (but more obvious) rape scene involving the disembodied head of a pink bunny rabbit. That is the 2013 Alice In Chains “Devil Put Dinosaurs Here.”
The rape scene takes place between 2:40-2:43 (read more commentary on this video)
1993 Nirvana “Heart Shaped Box”
It’s been said that Kurt Cobain wanted William Burroughs to act out a specific type of rape scene with him (one that involves a transference of “power” from the rapist to the victim) in the video for Heart Shaped Box, but that Burroughs declined. The video that was finally made for Heart Shaped Box did not contain a “rape” scene, but it did include a scene where Kurt imitates the “poppies” scene from Wizard of Oz and/or represents his own death. The 300 pound transparent angel, an obvious reference the sun and specifically Chris Newman, sees Cobain’s prone body in the poppies, and then stops, places her hands on her hips, and appears to show disapproval (3:10-3:24). That particular scene is found only in the director’s cut which was not widely released until less than a year ago (August 2013).